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refecting the music he plays at the clubnight, ‘lillygood party!’ is packed with funk, disco, deep house and boogie bullets from across the globe. taking its name from a party he runs in his native lausanne, lillygood has gradually evolved into a radio show and even a label, now on its 4th release. ‘lillygood party!’ is the brand new bbe compilation from highly respected swiss dj alex attias. already touring tirelessly, unity 4 utopia could well be the project which elevates mr inkswel from an underground phenomenon into a household name. drawn together by an abundantly positive feeling, vocal performances and beats are all faultlessly smooth and highly polished, but somehow the album retains a real sense of fun. echoes of early hip hop, 80 s boogie, disco and house can all clearly be heard, all woven together by inkwel s uniquely soulful, futuristic yet vintage production style. as the man himself puts it: -we need to work together if we want happiness and furthermore if we want positive change- this is mirrored in music, collaboration being key.
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stellar collaborators steve spacek, recloose, crazy p, lay-far, kid sublime, mark de clive-lowe & colonel red all make an appearance help to make inkswel s quest for musical utopia a reality, and the album certainly does not disappoint. Hot on the heels of his brilliant superfoods trilogy of albums on bbe, australian production powerhouse inkswel returns with a brand new solo effort entitled unity 4 utopia. bbe records has done a stellar job in making this slab available.” dan nishimoto of the prefix magazine stated “the compilation focuses on masekela’s original idea of “african american music.” from the early experiments of the zulus (a group featuring m’bulu) in mixing doo-wop, rhythm & blues and south african gospel and the mbaqanga/”grazing in the grass”-style work of the generically named johannesburg street band to the clearly fela-influenced ojah (masekela’s band in the mid-’70s, consisting of players from ghana and nigeria) and the readyfor-primetime belting of m’bulu, each track reveals a multi-pronged effort to find and challenge the notion(s) of how african and american cultural forms could interact.”
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it’s appeal is wide and deep and one can only hope this is the first of many volumes of this material to appear. thom jurek of allmusic wrote “in sum, there isn’t a weak moment on this entire collection. the album consists of 14 rare or forgotten tracks recorded by stewart levine and hugh masekela from 1965 to 1975 when they ran their own chisa records label. The chisa years: 1965–1975 (rare and unreleased) is a compilation album by south african jazz trumpeter hugh masekela.